I can do this! I used not to be able to -- I'm one of the many people who was once (well, lots of times) told they couldn't sing. But eventually, instead of saying You can't sing -- shut up!, someone said You can't sing -- would you like me to teach you? and so I learnt.
So if you're one of those people who'd like to sing but have been told they can't -- take heart from my story! I'm starting to write a simple InterNet Singing Lesson.
Oh yes, which part do I sing? Well on a good day, using a bit of falsetto, I can get up to the top of the bass range.
Medi&ae;val singing is thought to have been done in a more nasal voice than modern western singing; perhaps something like the song of some modern arabic countries. My interest in medi&ae;val song ties in with my interest in languages; it explains, for example, why I know Occitan.
Here is a song in early English, or perhaps Anglo-Saxon: the famous ``Prisoner's song'':
Ar ne kuþe ich sorghe non
Nu ich mot manen min mon
Karful wel sore ich syche
Geltles þolye ich muchele schame
Help God for þin swete name
Kinge of hevene ryche.
Iesu Christ soþ God soþ Man
Louerd þu riu upon me
Of prisun þar ich in am
Bring me ut and makye fre.
Ich and mine feren sume
God wot ich ne lyghe nocht
For oþre habeþ misnome
Ben in þis prisun ybrocht.
Almicti þat wel lictli
Of bale is hale and bote
Hevene King of þis woning
Ut us bringe mote.
Foryhef hem þe wykke men
God yhef it is þi wille
For whos gelt we beþ ypelt
In þos prisun hille.
Maiden þat bar þe hevene king
Besech þi son þat swete þing
þat hy have of us rewsing
And bring us of þis woning
For his muchele milse.
He bring us ut of þis wo
And us tache werken so
In þos liu go wu'sit go
þat we moten ey and o
Haben þe eche blisce.
I got into this in my teens -- I keep up with it sporadically; I'm likely not to be up to date with the latest in early music (reconstruction ideas, etc)!
Here's a list of things I play:
I've made several lyres, from scratch, basing them roughly on the reconstruction in the British Musuem of the one found in the Sutton Hoo burial ship. Shown here are the largest and the smallest of them. The large one is very resonant, to an extent that surprised and pleased me... the side arms are hollow all the way along! The tuning pins are zither pins... for much of the rest, I had to improvise; the bridges are drawer handles, and the frogs are picture hooks! However, it is a little large for playing comfortably, at least for my hands.
The lyre, in this form, is plucked, with one hand coming up from underneath through the large gap. Each string plays just one note -- there are no frets, levers or stops. There are also bowed lyres.
[Misc] John C. G. Sturdy | Last modified: Sun Jun 10 22:10:59 GMT Daylight Time 2007 |